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Posts tagged ‘Wall hanging’

Poppies – two felt ‘paintings’

With only 2 sleeps to go to the Art Exhibition at Beerwah Community Hall, my dining area and kitchen look as if there’s been an invasion of the Arty Crafty Brigade!

Not sure that I had enough to display at the exhibition, and spotting a couple of 30x30cm deep canvases locally, then finding some lovely mottled dark grey/black quilting material, I had an idea to make a couple of poppy felt art works.  I have been inspired by stunning poppies on felt dresses by Oprisan Alina who makes beautiful vibrant and incredible works.  Rather than copy what she was doing, which I do not like to do, I took my love of the vibrancy and delicateness of poppies and translated them into my own design.

As you know if you’ve been following my blog, when I do a felt painting, I usually make the whole thing out of wool. However, as I had found the background already, I decided to make the poppies as separate items and stick them to the covered canvases.  Thankfully my handyman neighbour had an industrial staple gun so helped me with the covering.

I won’t even go into my drama on Saturday when I spent five hours felting one of the poppies with some ‘merino wool’ from Spotlight (bought on the spur of the moment in case I didn’t have enough red wool) that is apparently good for needle and wet felting.  After turning the kitchen blue with my swearing and trying all the felting tricks in the book I eventually gave in to the fact that what I was trying to felt may have looked like and felt like red wool rovings must actually be synthetic.

It was originally going to be four petals, two behind separated by a resist.  However, after the felting farce, I got my big sharp scissors and cut the back two off.  These were made solely out of the Spotlight ‘wool’, whereas the top two petals had a large quantity of my other real wool rovings that had been hand dyed in different shades of red, so they had pretty much felted how I wanted them.

Non-felting 'merino' wool from back two petals with finished 2-petal poppy using my wool

Non-felting ‘merino’ wool from back two petals with finished 2-petal poppy using my wool

Leaves and petals all contain high amounts of silk tops and hankies and I liked how they turned out. The second lot of poppies had one flat and one side on flower that opened to see inside.  I sewed in some nice black beads for detail and worked on the layout.

For the buds I used a thicker felt and then fluffed out the felt with a needle to give the fuzzy effect that real buds have.  Actually it was only after researching a good poppy photo, that I discovered how many different varieties of poppy there are, all with different stamen arrangements.

I have finished sticking it all down with good quality fabric glue and have just taken some pics.  Here they are.  Now I’ve got to find some wire and get them ready to hang.

Diptyche of poppies.  Wet felted with beading.

Diptyche of poppies. Wet felted with beading.

Detail of beading inside the smaller poppy.

Detail of beading inside the smaller poppy.

Library Display

This is a quick post to show a couple of pics of a limited variety of my felting that is on display at Beerwah Library for two weeks.

If you aren’t in the area but would like to visit the library, the address is:

Beerwah Library, 25 Peachester Road, Beerwah Qld 4519. Phone for opening hours: 1300 542 727

It is lovely to have the opportunity to display my work locally.  I am a member of the Glasshouse Country Arts Trail and we have several weeks available to display members’ works.  Ilia Starkovsky is also displaying some of his photographic art, and Bronwyn Hill and/or Melanie Gray Augustin will also be bringing showing some of their work this fortnight.

A variety of my work in the display cabinet at Beerwah Library

A variety of my work in the display cabinet at Beerwah Library

Felt making and Arts Trail

This weekend has been very eventful!

Arts Trail – Open Studio

The Glasshouse Country Arts Trail has an open studio few days coinciding with school holidays – from Saturday just gone until Wednesday.

As last time I was fortunate enough to be able to share Sandra Price’s studio which is in her home on the main tourist route from Glasshouse Township to Beerwah.  It was a very pleasant weekend and we actually spent Saturday making conversation more than making art as it has been such a long time since we saw each other.  But it was very rewarding as conversation flowed with cups of tea and a tad too much chocolate…

I managed to complete my rose as a brooch by stitching the clasp onto the back, so it is now more than a pretty felt flower, but can be worn as well.

Sunday was more productive for both of us. Sandra worked on her elephant painting which was a development fascinating to watch as she brought beautiful Mma Tembo to life using a monchrome palette.  I am eager to see it finished.

While Sandy painted, I felted.  Because I was feeling quite tired this weekend, I couldn’t face a large project that would require lots of physical work, so I made two smaller pieces.

Miniature country scene

The first was a little country scene that I was going to use as an insert for one of those pre-made cards that has a frame cut into the front so you can put a painting behind.  I went a bit made with the wool layout though and the whole painting turned out too large for the card.  As luck would have it, Sandy happened to have the perfectly sized embroidery hoop which she suggested as a frame, so I attached the ‘painting’ to some cotton fabric and stretched it into the hoop.  Some of the corners sit just over the edge of the hoop but I rather like the effect.

Country scene 'round' felt painting 15cm

Country scene ’round’ felt painting 15cm

I’m actually pleasantly surprised at how this turned out.  Sandra really liked it too.  I will definitely make more of these.

Blue glass vase cover

The other smallish project I gave myself was covering the second of two tall slender glass vases I bought the other day.  If you read my recent post, you’ll have seen the first one which I covered in cream/orange.

This time I wanted to experiment with a completely different look.  I went for a covering in totally different colours, and laid in such a way that a lot of the glass would show through.

Colour palette of merino wool

Colour palette of merino wool

I chose dark blue, turquoise, lime green and cream as my palette.

I also used blobs of silk noile for details, and some ever gorgeous and lustrous silk tops.

Blue vase silk used

Silk noile and tops

 

The resist for this pattern was the same as for the last vase, as I knew it would give me a perfect fit.

I’ve never made anything 3D that is open weave before, so this was guess work, but I’ve got a couple of pics of the layout front and back, that I’ll show you.

As you can see, I’ve arranged the wool in such a way that it snakes up the vase.  I had no idea if this would work, or if it would end up all crumpled down the bottom of the vase like some old woman’s stocking, but I couldn’t resist giving it a go!

Here are the layouts, front and back:

Blue vase layout - front

Blue vase layout – front

Blue vase layout - back

Blue vase layout – back

As you can see, I made the base fairly solid, and also had a rim at the top, with the rest of the wool winding around the resist.  I varied the pattern using silk noile and silk tops.

As it wasn’t a large piece, it didn’t take a lot of work, but I was glad that it shrank to a size that it perfectly fits the vase.

Here is the finished result:

 

So while I made only two small pieces over the weekend, both were new territory for me, and it’s always good to stretch your creative boundaries!

 

Aside

Updated Felt Gallery

To view a lot of my felt work in one ‘hit’, check out the Gallery – Felt which I have just updated with more recent pieces.

New wall hanging – with bobbly bits!

I’ve been waiting for some wool nepps to arrive.

Wool nepps - 'bobbly bits'!

Wool nepps – ‘bobbly bits’!

Nepps are round, bobbly bits of wool that can be used in felting.  Gawd knows which part of the sheep they come from, but since I saw some on a website I’ve been itching to get my hands on some.

They arrived yesterday.

As I’d had a while to let my imagination run riot while I was waiting for Canadian and Australia Posts to talk to each other, I came upon a variation on a theme.  Another beach, only this time, instead of turning it into a realistic painting, I wanted to make it more impressionistic.

What was I going to do with my bobbly bits?

When I saw a photo of nepps, they reminded me of the smooth small pebbles I’d enjoyed sitting on when I was at Monaco another lifetime ago.

In the felt painting I envisaged, these little nepps would make great closeup grains of sand.

I’ve made this one a long, thin wall hanging 27 x 50 cm approximately.  It has lovely bright colours that flow from deep blue sky, to turquoise ocean, to yellow sandy beach, to white dunes with sand and some impressions of grass and rock/shell details.

Nepps layout

Nepps layout

The nepps were a little harder to felt than regular wool tops, but I persevered and most of them felted in.  I rather like the effect.

Ocean Sparkle

While I was ordering the nepps, I also ordered three little bags of different coloured Angelina Fibre.  This is great stuff and extremely reflective.  Less is more with this stuff unless you’re going for a disco look.

I added a few strands on top of the white silk tops that highlighted the waves rolling onto the beach. At different angles the light catches the fibre, and it looks like ocean spray sparkling in the sun.

Tiny threads of angelina fibre on top of the silk tops, to create 'ocean spray' effect.

Tiny threads of angelina fibre on top of the silk tops, to create ‘ocean spray’ effect.

The finished wall hanging

So, here it is, and I’m very happy with the result.  I like the longer thinner shape of this one.

Beach wall hanging, drying

Beach wall hanging, drying

I think the colours work well, and there’s enough detail to make it interesting without overdoing it… keeping it simple.

It is a style I will use again.

What next?

I have another piece of felt batt that I used as my ‘canvas’, so I want to make another wall hanging in a similar impressionistic style.

Not sure yet whether to do another beach scene, so I have a diptych, or a different theme altogether.

Beach Wall hanging is finished!

At last, after showing you the felted first stage of my latest wall hanging, I’ve worked on it and now (apart from putting a backing onto it), it is finished and I thought I’d share a bit of the process for anyone interested.

First of all, here’s the finished wall hanging:

Moffat Beach wall hanging finished

The colours are actually brighter in real life than in this photo, and I’m very pleased how it has turned out.

I don’t know if you’ve ever had a “Can I do this?” moment, but after feeling very pleased with how my Mt. Coonowrin wall hanging turned out, I began this project with more than a little trepidation. Madame Doubt kept whispering “was the first wall hanging a one-off?”, “will I stuff up this next one?” in my ear and it took several weeks before I got up courage to begin, and lay the first tufts of blue sky.

Once it had been wet-felted though, I was happy that I have got a bit of a knack to doing this, and despite having to shave the bottom half of the project, could see in my mind’s eye how I would complete this work.

How I added detail

I needle felted a lot of detail, including fixing up shadows, adding silk noil to the sandy walkway, and grass details.  Toe make the She Oak trees look more realistic, I embroidered leaves on top of the felted leaf colour, which I think adds depth.

I didn’t like how the yarn had felted into the sea.  It had started off with a lot of blue in the variegated colours, but after wet felting, all I could see was maroon.  I spent time needle felting over these threads with various shades of blue wool and also turquoise silk tops.  Much better.

The waves were added by needle felting thin pieces of selvedge edges from tissue silk that I cut off before making scarves. By cutting off these denser edges, it ensures the wool rovings migrate right through the edge of the scarves.  Plus I get to use the selvedge edges for other projects, like the waves in this picture.  It is delicate enough to give that bubbly frothy white caps that form on the tops of waves as they approach the beach.

To finish, here’s a collage of pics, working up to the finished piece.

My next two are going to be smaller, longer thinner wall hangings – abstract in design but reflecting beach colours, and perhaps shells.

Anyway, here’s the gallery:

I would like to acknowledge Gusha Visual Media who have inspired my latest work with some of their photos of the Sunshine Coast. In particular, Moffat Beach, which is so beautiful, I wanted to try and capture the scene in felt.

I had to shave my piece of felt … and eat toast!

I know, that sounds a bit bizarre, but let me explain.

With the upcoming art exhibition to be held in Beerwah in October, the pressure’s on to make more felt wall hangings to exhibit.  I already have Mt. Coonowrin, which I have documented previously on this blog, but one’s just not enough.

Today was the day to make another one.  I’ve been researching my subject, collected my materials and all I needed was a free weekend and when I woke up to the clear bright day this morning I couldn’t wait to go home and get stuck in.  When I say ‘go home’, I’m not a party animal who woke up in a strange house this morning after a drunken rave the night before.  I have recently taken on another part time job dog-walking and pet/house sitting.  It’s great because it is a rewarding job and I can fit it in around my other life commitments.  I’m house sitting at the moment, thus ‘go home’ meant leave the doggie for the day and do my felting at home.  Not to mention spend some brief, welcome time with hubby and son.

The toast incident

Arriving bright eyed and bushy tailed, I breezed in only to meet my teenage son in his pj’s yawning a “Morning Mum” with half-closed eyes.  This was followed by the sound of an electric toothbrush buzzing in the bathroom – hubby was making himself personable!  While I waited for him to finish his ablutions (don’t you love that word?) I hovered in front of my computer noticing a yellow stick it note in the middle of the screen.

“Your dinner for tonight’s in the fridge so you don’t have to eat toast, you touchy thing! … Luv U”

Aw, what a sweetie, he remembered my melt down last week when, stressed at juggling an extra job, trying to organize myself, emotionally detach from hubby, son and my own dog, bring in the washing and get to my next assignment before sun down so I could feed a farmyard of chooks (Australian for ‘chickens’) and ducks, I forgot to take dinner with me and had to revert to toast.  I’m a bit of a foodie, so toast was just not the same as dinner.

The next afternoon while pretty much repeating the previous day’s schedule, I managed to throw a guilt trip at my son who was taking for everrrrrrrr to get some chore done that is his job anyway but which I wanted him to do before I left for the evening.  I had good reason for that at the time, but can’t for the life of me think what it could have been now.  That’s how important it was in the overall scheme of things.

“Oh for goodness sake, hurry up!!!  It’s because I was rushing yesterday getting your uniform ready, that I left my dinner in the fridge and had to survive on toast!”

At which point hubby stuck up for son from his vantage point in the office around the corner…

“Don’t pick on him just because you weren’t organized!”

I was feeling so bereft by that time, because oddly enough, despite loving going on holiday and always wishing to be living in some other, more exotic place – which my assignment was – I was feeling desperately homesick and wanting to hug son, hubby and dog all at the same time and tell them I loved them.  I’d so looked forward to coming home that afternoon, so I could spend some warm and fuzzy time to make up for my transition into Agent Aannsha Dog Sitter.

Only instead of Happy Families, I’d managed to create a minor drama where my son was crotchety for me guilt-tripping him and hubby was rightly taking his side.  A silent tear escaped the corner of my eye and I opened the fridge to take last night’s dinner for tonight with me and escape before I began sobbing.

Too late, I choked one back as I opened the fridge door.

“What’s the matter?” Baz stood behind me quicker than I could take my things and run.

Well, I blurted it all out in a blubbery blobby mess that caused a puzzled look to crease hubby’s face.  He didn’t understand me.  He never does when I melt down.  To me it is perfectly natural and totally understandable that inner tumult can result from a few changes in routine and everything that comes with it.  But to Baz, I had turned into an alien and he couldn’t fix a problem he didn’t have any reference for.  God love him.  I do.

He hugged me warily and I tried to get it together and explain logically what was going on for me.  I couldn’t, so I wiped my salty face on his jumper and pulled away still watery. But I had no time to wallow in self-pity, I had animals to feed.  I left via my son’s room where I sincerely apologised to him for being mean. He is such a forgiving fellow and hugged me with the force of ten men. Then with a lot still hanging mid-sentence, confused and a tiny bit raw between Baz and me, I got in the car and drove off.

Later that night, I texted Baz only to find that Baz – a man whose longest text to me yet had been “ok” – had texted me:

“Still lu ya, U touchy bugger”.

The most adorable thing a bloke could tell his missus.  I melted and in an instant the whole drama dissipated.

…So, the message on my pc was in reference to the toast drama.

What about having to shave my felt?

After Baz came out of the bathroom all squeaky clean, I asked him if that meant I had dinner for tonight.

“You do, it’s chilli con carne.”

“You’re a dream, thank you.”

Big hug.

Half an hour later, Baz off scuba diving, Luke chilling in his room, I set to making my felt painting.

Why I had to shave my felt

The subject of today’s felting is of an entry way north, along Moffat Beach – one of the beaches in Caloundra, on the Sunshine Coast of Queensland, near where I live.

Pic of Moffat Beach thanks to Caloundra Tourism website

The ocean is blue, the sand gleams white in the sunshine, and there are sandy walkways to the beach through sea-grass lined with wooden railings and shaded by trees that are very pleasing to the eye.

At this point, I would like to acknowledge Gusha Visual Media who have inspired my latest work with some of their photos of the Sunshine Coast. In particular, Moffat Beach, which is so beautiful, I wanted to try and capture the scene in felt.

I beganMoffat Beach sky sea layout with a piece of cream pre-felt 60cm x 60cm as the base.  Starting with the sky, I laid several shades of blue, and thin white clouds, then laid the water in deeper turquoises.

Moffatt Beach full layout less treeThen I laid the white strip of beach and followed with the brown-sandy colour of the path, which I underlaid with brown alpaca to add depth.  After that I added the greens of the grasses. Next came the wooden railing and the shading.

Moffat Beach full layout less yarnHappy with the overall background, I put in the tree using black mixed with white and ochre, and short whispy pieces of yarn for the leaves.

Moffat Beach full layoutTo finish the work at this stage, I added the silks and yarns to give interesting detail and lustre to the overall painting.

As my feet were very sore – that’s a story for another day – I laid the work on a 60x60cm canvas on the lounge coffee table so I could sit for the couple of hours it took to do the layout.  I wasn’t sure how much wool would float away as I carried the piece over to the kitchen bench for felting, but I walked slowly and it all remained intact.  Once the canvas was removed it sat on the bubble wrap, on a towel to catch the excess water.

After soaping, rubbing, rubbing, squeezing, heating, rubbing, heating and rubbing some more, the picture was finally felted to my liking.  I rinsed the soap out, final rinsed with a bit of vinegar and spun it in the washing machine.

As I ironed it flat, I noticed that where the brown alpaca had been laid down, it had migrated through the other colours and the long fuzzy wool filaments covered the bottom half of the painting obscuring the other colours and details!  I forgot to take a photo at this point, because I was concentrating on fixing the furry mess!  After trying to snip it away with scissors and realising that would take all afternoon, I got a fresh disposable razor from my hubby’s stash and proceeded to shave the wool off the painting!

Despite being worried about losing the underlying detail, and messing up the finish of the felt that was left, I knew I couldn’t leave it furry, so shaved away.  I removed a very large handful of alpaca and was happy to see the rest of the painting was intact!

Re-ironed, I was satisfied that the painting was pretty good and after hanging it out to dry overnight, I’m looking forward to adding the finer details with needle felting and embroidery tomorrow.

However – Note To Self – only use alpaca in a felt painting if the painting is of a teddy bear or something else that requires a fuzzy finish!

That’s definitely a tip I’m going to put in a Felting Book when I get round to writing one!

Anyway, here’s the felted wall hanging of Moffat Beach, awaiting embroidery and needle felting.  Felted size is approximately 50cm x 50xm.

Moffat Beach felted

OMG I love making stuff!

In Search of Happiness II

In Search of Happiness II – second in watercolour series

Since I made a commitment to myself recently to get more creative, I’ve been making at least one little thing each day.

Often at night I would just zone out in front of the TV, too tired to do anything but not quite ready to go to bed to sleep to wake up and do the treadmill all over again.

However as I said, I recently decided not to compromise myself any more.  Instead of slogging my guts out trying to make more money so I can relax and get more creative I had a bit of a Eureka moment where I realised I was doing life cart-before-the-horseish.

So for the last few days (yeah it was a very recent aha moment), I have been focusing on creativity first and trusting the moolah will roll in along the way anyway.  Sure, I’m still doing my regular part-time job.  I’m not stupid and not about to unrealistically step way out of my comfort zone to become a starving artist.

Instead, I’m opting for a daily dose of creativity.  Arting for art’s sake.  Because really, that’s much more aligned with my core self.  I’ve done the responsible thing for years at the expense of my own inner happiness and sometimes health.  Not any more.  Opening my eyes a bit more widely as I come through my mid-life transition is showing me very clearly that my soul – my creative essence – will create or I will suffer the consequences.

As they say, you can’t follow two masters.

So I’m balancing my life differently.  I guess on the outside people who know me wouldn’t think I was doing anything differently except being more productive in the creative department.  But I know.  Deep down, I know that I’m valuing myself more.  I’m prioritising my values better.  I’m listening to my inner ‘master’ – the one who knows me best.  My core self.  I’ve ignored it’s heart-yearning for too long and now I’m just going to follow my passion.

“Do what you love and the money will follow”

I so get that saying now.   Certainly in the “do what you love” sense.

I was starting to feel deep down to my core that my life was becoming a tad on the meaningless side.  Too many shades of grey were seeping across my multi-coloured inner texture.  How long can a soul suspend their true identity before they lose themselves?  I guess it depends on the soul.

All I know is that I reached a turning point recently.  One of those make your mind up moments of the make or break kind.

I realised I wanted to spend another fifty plus years having a more fulfilled and fun life than in my first fifty odd years.  But I had to make some real changes.

And so I have.

Now I get to play each day.  I play with colour.  I play with texture.  I create for the fun of it.  And I share it with you, here.

Now I have three cuffs – Green, Maroon, Blue. Blue, green and maroon cuff bracelets

To make each, I cut 4cm strips from pieces of felt I had made previously. The felt pieces are all made of Australian merino wool with silk rovings.  Then I hand embroidered them with glass beads and finished with hand-made buttons.  I made the maroon one last night.

Two of the buttons are of mother-of-pearl with glass beads added as I sewed them on. The red button was made by gluing red glass beads and a freshwater pearl to a larger button. Button holes and edging are blanket stitched in embroider’s cotton.

Maroon cuff stripHere’s the other side of the maroon cuff showing a lovely cushioned patch of black wool that I made by twisting a thick piece of roving into a closed circle and adding before felting. The red heart-shaped bead was sewn on when dry.

Wall hanging on CoonowrinHere’s my wall hanging in my consultation room. This morning I decided that I’d rather see it hanging up than lying on a bench gathering dust, or in a box having its ‘dharma’ (or reason of being) wasted.  I found a nice straight stick in my garden that I think adds to the rustic feel of the painting and threaded it through the tabs on the backing fabric.

Then I hung it from a hook using green dimensional wool.

I took the photos at night, so the colours aren’t accurate; the lime green wall looks more like avocado in this pic!

 

Time to be creative!

After I did that, I re-organised my felt pieces and realise how little I’ve got left after last market.  I’ve certainly got a lot of creating to do before the next market.  What a good thing I’ve decided to create something each day!

Wall hanging in my consultation room

Completed felt wall hanging of Mt. Coonowrin – looks 3D!

I have spent today embroidering and needle-felting details onto the wall hanging that I felted yesterday.  I am very happy with the result because it now has a real  three dimensional-look to it.

I began by adding fine details to the mountain, by needle-felting woollen thread to create shadows and add the greenery that is evident in the real mountain.

After that, I wanted to add detail to the base of the mountain which is covered with bushes and eucalyptus trees.  I found some gauzy ribbons in brown and green and taking a deep breath because I wasn’t sure how it would turn out, I set about needle-felting it into place with wattle-coloured merino rovings.

Next came the rocks, which I gave body to by adding a piece of pre-felt and then needle-felting variegated merino wool on top.  I’m pleased with how they turned out.

Then I added some tiny distant pineapples in embroidery cotton, which helps lead the eye up to the mountain.

Finally, I completed the pineapple.  The body was already quite spongy as I’d added plenty of silk noile when making the felt.  I used some orange embroidery cotton and ‘quilted’ the surface to give the little sections that you find in pineapples and made french knots to finish the detail.  I added a 3D pineapple top by cutting out some green felt I made a while ago, then needle-felted the leaves into position.

All in all, I’m extremely happy with how it’s turned out, given this is my first ‘official’ wall hanging.

I’m certainly motivated to make another one.  Hmmm, what subject should I choose?

Gallery

My first wet-felted wall hanging

Here is the felted painting. I will embroider in details when its dry. However, I'm pleased with how it has turned out. I like how the pineapple fields details show through. :)

Here is the felted painting. I will embroider in details when its dry. However, I’m pleased with how it has turned out. I like how the pineapple fields details show through. 🙂

I usually paint in acrylics, but since I’ve been felting for a few years, I’ve exercised my creative juices through wool and silk.

A few months ago I experimented with a felt ‘painting’ of Uluru.  It wasn’t bad, but was rough and ready in a few ways.  However it showed me that I had the potential to turn wool rovings into a recognizable picture.

Today was the day.  I got out my wool rovings, silk tops, silk noile, silk hankies and odd scraps of patterned chiffon and lace and a piece of cream pre-felt.

Then I took a deep breath.

This had been several weeks ‘cooking’ on the inside after I had the desire to make a felt wall hanging, but like any good baby it does take a while to bring it all together on the inside before it makes its appearance in the outer world.

I can’t say exactly what goes on in my psyche when I’m cooking a painting, but I think a lot of it is accepting the idea, pulling together thoughts about what I can make and how I can best bring it into reality.  Then there are the resistances that my desires and thoughts butt up against.  The ones that caution me not to waste resources in case it turns out like a dog’s dinner, or what will happen if I put all that time into creating something beautiful but which turns out like Rosemary’s Baby.

I’m all for fun and like to avoid frustration like most of us, so over the years I’ve learned not to physically start the project until I feel ready.  Otherwise the whole thing becomes an exercise in pulling teeth: very painful and very laborious.

Well enough rambling, I’ve got a few pics to document the process for anyone that’s interested.

You know, it never ceases to amaze me that you can basically start with raw unspun wool, mash it together with soapy water for ages and you end up with a stunning fabric.

Enough said.  Here’s today’s work:

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